{"id":698,"date":"2020-02-27T15:13:01","date_gmt":"2020-02-27T14:13:01","guid":{"rendered":"https:\/\/dinter-pr.de\/?page_id=698"},"modified":"2026-06-05T10:29:48","modified_gmt":"2026-06-05T08:29:48","slug":"https-dinter-pr-de-en","status":"publish","type":"page","link":"https:\/\/dinter-pr.de\/en\/","title":{"rendered":"News (E)"},"content":{"rendered":"<div class=\"wpb-content-wrapper\">[vc_row thb_full_width=&#8221;true&#8221; thb_row_padding=&#8221;true&#8221; thb_column_padding=&#8221;true&#8221; thb_divider_position=&#8221;bottom&#8221; el_class=&#8221;news_row&#8221;][vc_column]\t\t<div class=\"swiper-container full-page thb-portfolio carousel carousel-carousel_style3 text-left\" id=\"portfolio-section-905\" data-autoplay=\"\" data-autoplay-speed=\"5000\">\n\t\t   <div class=\"swiper-wrapper\n\t\t   \t\t\t\t light-pagination \">\n\t\t\t\t<a href=\"https:\/\/dinter-pr.de\/en\/portfolio\/helmut-newton-cars\/\" title=\"Helmut Newton. Cars\" class=\"medium-6 columns type-portfolio small-12 medium-6 medium-6 large-3  light-title  thb-cat-news-en carousel_style3 portfolio-7580 post-7580 portfolio status-publish has-post-thumbnail hentry portfolio-category-news-en\" id=\"portfolio-7580\">\n\t<div class=\"portfolio-holder\">\n\t\t<div class=\"carousel_style3_content\">\n\t\t\t<aside class=\"thb-categories\">News<\/aside>\n\t\t\t<h3>Helmut Newton. Cars<\/h3>\n\t\t\t<div class=\"post-excerpt\">\n\t\t\t\tFollowing the initiative by Italian luxury brand <strong>Larusmiani<\/strong>, the <strong>Newton Foundation<\/strong> opened the exhibition <strong><em>Helmut Newton. Cars <\/em>on May 15<sup>th<\/sup>, 2026.<\/strong> This time, the venue is the garden of <strong>Villa Olmo on Lake Como<\/strong>, which will be transformed into a vast open-air museum as part of the <strong>FuoriConcorso<\/strong> Automotive Culture event. Across 20 large-format panels, the automobile is celebrated through a selection of Newton\u2019s car photographs, taken between 1956 and 2001. At the same time, this is the first exhibition dedicated to this important theme in Newton\u2019s body of work, which will be explored further in a larger presentation at the Berlin-based Newton Foundation in the near future. In Como itself, Newton worked repeatedly from the 1970s onward, most notably by the lake or at Villa d\u2019Este and its famous garden.\r\n\r\nHelmut Newton also had a lifelong passion for cars; it is therefore no surprise that this subject matter occupied an important place in his fashion photography over the decades, and that he later went on to produce and shoot advertising campaigns for numerous renowned automobile brands. It all began in the mid-1950s, when Newton, during a holiday trip to Rome, used his white Porsche 356 as a backdrop for a private portrait of his wife June on the Via Appia Antica \u2013 or shortly thereafter, back in Melbourne, in a fashion shoot for <em>Australian Vogue<\/em>. In the early 1960s, he photographed men\u2019s fashion for <em>Adam<\/em> magazine at the Jaguar factory in Coventry, and women\u2019s fashion in color, en plein air, for <em>French Vogue<\/em>, this time featuring a red Fiat 1200. In 1963, he portrayed Fran\u00e7oise Sagan in a Jaguar E-Type, also for <em>French Vogue<\/em>, while the British model Jean Shrimpton, in a Newton fashion shoot for <em>British Vogue<\/em> in 1966, was transformed into the hood ornament of a Rolls-Royce \u2013 miniaturized and collaged into the photographic composition.\r\n\r\nOne highlight of the current show is the first-ever presentation of a fashion photograph taken in Como, created in 1996 for <em>Italian Vogue<\/em>: a blonde woman with heavily teased hair, wearing a tight black cocktail dress, stands beside an Alfa Romeo Spider. In the open trunk, we see an opened briefcase filled with bundles of 100,000-lira banknotes. The sports car bears a license plate from the city of Como. The story behind this cache of banknotes is, of course, a matter of speculation \u2013 a strikingly characteristic and ambivalent element in Newton\u2019s fashion imagery.\t\t\t<\/div>\n\t\t<\/div>\n\t\t<div class=\"portfolio-inner \">\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"960\" height=\"720\" src=\"https:\/\/dinter-pr.de\/wp-content\/uploads\/2026\/04\/7_Helmut-Newton-Italian-Vogue-Lake-Como-1996-Alpha-Romeo-Spider-2.0-copyright-Helmut-Newton-Foundation-20x15.jpg\" class=\"attachment-werkstatt-rectangle-3x size-werkstatt-rectangle-3x thb-lazyload lazyload wp-post-image\" alt=\"\" sizes=\"auto, (max-width: 960px) 100vw, 960px\" data-src=\"https:\/\/dinter-pr.de\/wp-content\/uploads\/2026\/04\/7_Helmut-Newton-Italian-Vogue-Lake-Como-1996-Alpha-Romeo-Spider-2.0-copyright-Helmut-Newton-Foundation-960x720.jpg\" data-sizes=\"auto\" data-srcset=\"https:\/\/dinter-pr.de\/wp-content\/uploads\/2026\/04\/7_Helmut-Newton-Italian-Vogue-Lake-Como-1996-Alpha-Romeo-Spider-2.0-copyright-Helmut-Newton-Foundation-960x720.jpg 960w, https:\/\/dinter-pr.de\/wp-content\/uploads\/2026\/04\/7_Helmut-Newton-Italian-Vogue-Lake-Como-1996-Alpha-Romeo-Spider-2.0-copyright-Helmut-Newton-Foundation-320x240.jpg 320w, https:\/\/dinter-pr.de\/wp-content\/uploads\/2026\/04\/7_Helmut-Newton-Italian-Vogue-Lake-Como-1996-Alpha-Romeo-Spider-2.0-copyright-Helmut-Newton-Foundation-640x480.jpg 640w, https:\/\/dinter-pr.de\/wp-content\/uploads\/2026\/04\/7_Helmut-Newton-Italian-Vogue-Lake-Como-1996-Alpha-Romeo-Spider-2.0-copyright-Helmut-Newton-Foundation-20x15.jpg 20w\" \/>\t\t<\/div>\n\t<\/div>\n<\/a>\n<a href=\"https:\/\/dinter-pr.de\/en\/portfolio\/helmut-newtons-one-off-album\/\" title=\"Helmut Newton&#8217;s One-off Album\" class=\"medium-6 columns type-portfolio small-12 medium-6 medium-6 large-3  light-title style3_even  thb-cat-news-en carousel_style3 portfolio-7520 post-7520 portfolio status-publish has-post-thumbnail hentry portfolio-category-news-en\" id=\"portfolio-7520\">\n\t<div class=\"portfolio-holder\">\n\t\t<div class=\"carousel_style3_content\">\n\t\t\t<aside class=\"thb-categories\">News<\/aside>\n\t\t\t<h3>Helmut Newton&#8217;s One-off Album<\/h3>\n\t\t\t<div class=\"post-excerpt\">\n\t\t\t\tOn 4 June 2026, the <strong>Newton Foundation <\/strong>in Berlin opened two new exhibitions: <em>Rooms \/ Stages<\/em> and <strong><em>Helmut Newton\u2019s One-off Album<\/em>. <\/strong>The front rooms host works by a dozen artists exploring the theme of space and stage, while the main hall features monumental motifs by Helmut Newton dedicated to the same topic. This part of the group show <em>Rooms \/ Stages<\/em> leads to the rear exhibition space, where a unique photo album by Newton is presented in Berlin for the first time. This selection also includes images that visualize the transformation of space into a stage.\r\n\r\n<strong>Helmut Newton\u2019s One-off Album:<\/strong> The third part of the summer exhibition is devoted to an album assembled by Helmut Newton in 1999 for collector Gert Elfering, now in the Nicola Erni Collection. After having been presented at her collection spaces in Switzerland, the album is now on view in Berlin for the first time. It comprises 112 small-format original prints in black-and-white and color, in various dimensions. Selected by Newton and Elfering, the prints were mounted on card stock and annotated by hand with a title or anecdote. The mounted photographs were not bound at the time; they have since been individually framed and can now be viewed side by side. The selection includes iconic fashion photographs as well as never-before-exhibited working shots taken behind the scenes, Polaroids, and advertising images.\r\n\r\nTo accompany the exhibition and in partnership with the Nicola Erni Collection, Phaidon has published <em>Helmut Newton: One-off<\/em>, with an introduction by Philippe Garner, an interview between Gert Elfering and Matthias Harder, and a collector's statement by Nicola Erni. Now available worldwide. ISBN: 978-1-83729-151-9.\r\n\r\n&nbsp;\t\t\t<\/div>\n\t\t<\/div>\n\t\t<div class=\"portfolio-inner \">\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"960\" height=\"720\" src=\"https:\/\/dinter-pr.de\/wp-content\/uploads\/2026\/03\/15_Helmut-Newton-Pere-Lachaise-Tomb-of-Talma-Paris-1977-\u00a9-Helmut-Newton-Foundation-Courtesy-Nicola-Erni-Collection-20x15.jpg\" class=\"attachment-werkstatt-rectangle-3x size-werkstatt-rectangle-3x thb-lazyload lazyload wp-post-image\" alt=\"\" sizes=\"auto, (max-width: 960px) 100vw, 960px\" data-src=\"https:\/\/dinter-pr.de\/wp-content\/uploads\/2026\/03\/15_Helmut-Newton-Pere-Lachaise-Tomb-of-Talma-Paris-1977-\u00a9-Helmut-Newton-Foundation-Courtesy-Nicola-Erni-Collection-960x720.jpg\" data-sizes=\"auto\" data-srcset=\"https:\/\/dinter-pr.de\/wp-content\/uploads\/2026\/03\/15_Helmut-Newton-Pere-Lachaise-Tomb-of-Talma-Paris-1977-\u00a9-Helmut-Newton-Foundation-Courtesy-Nicola-Erni-Collection-960x720.jpg 960w, https:\/\/dinter-pr.de\/wp-content\/uploads\/2026\/03\/15_Helmut-Newton-Pere-Lachaise-Tomb-of-Talma-Paris-1977-\u00a9-Helmut-Newton-Foundation-Courtesy-Nicola-Erni-Collection-320x240.jpg 320w, https:\/\/dinter-pr.de\/wp-content\/uploads\/2026\/03\/15_Helmut-Newton-Pere-Lachaise-Tomb-of-Talma-Paris-1977-\u00a9-Helmut-Newton-Foundation-Courtesy-Nicola-Erni-Collection-640x480.jpg 640w, https:\/\/dinter-pr.de\/wp-content\/uploads\/2026\/03\/15_Helmut-Newton-Pere-Lachaise-Tomb-of-Talma-Paris-1977-\u00a9-Helmut-Newton-Foundation-Courtesy-Nicola-Erni-Collection-20x15.jpg 20w\" \/>\t\t<\/div>\n\t<\/div>\n<\/a>\n<a href=\"https:\/\/dinter-pr.de\/en\/portfolio\/rooms-stages\/\" title=\"Rooms \/ Stages\" class=\"medium-6 columns type-portfolio small-12 medium-6 medium-6 large-3  light-title  thb-cat-news-en carousel_style3 portfolio-7513 post-7513 portfolio status-publish has-post-thumbnail hentry portfolio-category-news-en\" id=\"portfolio-7513\">\n\t<div class=\"portfolio-holder\">\n\t\t<div class=\"carousel_style3_content\">\n\t\t\t<aside class=\"thb-categories\">News<\/aside>\n\t\t\t<h3>Rooms \/ Stages<\/h3>\n\t\t\t<div class=\"post-excerpt\">\n\t\t\t\tOn 4 June 2026, the <strong>Helmut Newton Foundation <\/strong>in Berlin opened two new exhibitions: <strong><em>Rooms \/ Stages <\/em><\/strong>and <strong><em>Helmut Newton\u2019s One-off Album<\/em><\/strong>. The front rooms host works by a dozen artists exploring the theme of space and stage, while the main hall features monumental motifs by Helmut Newton dedicated to the same topic. This part of the group show <em>Rooms \/ Stages<\/em> leads to the rear exhibition space, where a unique photo album by Newton is presented in Berlin for the first time. This selection also includes images that visualize the transformation of space into a stage.\r\n\r\n<strong>Rooms \/ Stages:<\/strong>\u00a0During preproduction for feature films, location scouts are dispatched to find settings suitable for specific scenes. In the finished film, however, we focus less on these scenic spaces than on the actors, their roles, and the overall narrative. In photography, we likewise rarely perceive a room as a visual motif in itself \u2013 unless the photographer consciously asserts the space as the primary subject. Following the major 2019 exhibition <em>Body Performance<\/em> at the Helmut Newton Foundation, the thematic sequel <em>Rooms \/ Stages<\/em> now shifts our attention deliberately from the performative act to the space itself.\r\n\r\nThe artists in this group exhibition are represented by one body of work each. They consciously incorporate the space into their staged portraits, use long exposures to let people or dancers disappear, or focus on deserted interiors. These empty spaces range from artists\u2019 own studio, with shifting furniture, to museums in Versailles or Dresden, where we inevitably envision specific scenarios. Beyond framed photographs, sections of the exhibition space are accentuated by wall-sized photographic murals. The presentation includes elaborate spatial interventions created solely for a single photograph, inhospitable yet perfectly designed subway tunnels in Berlin and London, as well as images from dance and theater.\r\n\r\nHelmut Newton, whose work is constantly recontextualized through evolving presentations at his Berlin foundation, transformed diverse locations into stages, as the second part of the group exhibition demonstrates. These settings include luxurious hotel rooms and lobbies in Paris, Milan, and New York from his fashion photographs of the 1960s, \u201870s, and \u201880s, and \u2013 in a 180-degree turn \u2013 raw exterior settings in Monte Carlo, even his own garage. In doing so, he created a stark contrast to the exclusive fashion designs of the 1990s, capturing the zeitgeist of the era. Newton operated like a film director and set designer on the stages he created. The exhibition presents these interiors from his fashion work alongside several of his theater photographs, such as those produced in 1983 in Wuppertal with Pina Bausch for <em>The New Yorker<\/em>, or from the mid-1980s for the program booklets of Les Ballets de Monte-Carlo. We encounter these motifs as giant wall murals and a wealth of Polaroids in the display cases before them...\t\t\t<\/div>\n\t\t<\/div>\n\t\t<div class=\"portfolio-inner \">\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"960\" height=\"720\" src=\"https:\/\/dinter-pr.de\/wp-content\/uploads\/2026\/03\/2_Helmut-Newton-Yves-Saint-Laurent-Paris-1993-\u00a9-Helmut-Newton-Foundation-20x15.jpg\" class=\"attachment-werkstatt-rectangle-3x size-werkstatt-rectangle-3x thb-lazyload lazyload wp-post-image\" alt=\"Helmut Newton, Yves Saint Laurent, Paris 1993 \u00a9 Helmut Newton Foundation\" sizes=\"auto, (max-width: 960px) 100vw, 960px\" data-src=\"https:\/\/dinter-pr.de\/wp-content\/uploads\/2026\/03\/2_Helmut-Newton-Yves-Saint-Laurent-Paris-1993-\u00a9-Helmut-Newton-Foundation-960x720.jpg\" data-sizes=\"auto\" data-srcset=\"https:\/\/dinter-pr.de\/wp-content\/uploads\/2026\/03\/2_Helmut-Newton-Yves-Saint-Laurent-Paris-1993-\u00a9-Helmut-Newton-Foundation-960x720.jpg 960w, https:\/\/dinter-pr.de\/wp-content\/uploads\/2026\/03\/2_Helmut-Newton-Yves-Saint-Laurent-Paris-1993-\u00a9-Helmut-Newton-Foundation-320x240.jpg 320w, https:\/\/dinter-pr.de\/wp-content\/uploads\/2026\/03\/2_Helmut-Newton-Yves-Saint-Laurent-Paris-1993-\u00a9-Helmut-Newton-Foundation-640x480.jpg 640w, https:\/\/dinter-pr.de\/wp-content\/uploads\/2026\/03\/2_Helmut-Newton-Yves-Saint-Laurent-Paris-1993-\u00a9-Helmut-Newton-Foundation-20x15.jpg 20w\" \/>\t\t<\/div>\n\t<\/div>\n<\/a>\n<a href=\"https:\/\/dinter-pr.de\/en\/portfolio\/intermezzo-revisiting-helmut-newton\/\" title=\"Intermezzo. Revisiting Helmut Newton\" class=\"medium-6 columns type-portfolio small-12 medium-6 medium-6 large-3  light-title style3_even  thb-cat-news-en carousel_style3 portfolio-7391 post-7391 portfolio status-publish has-post-thumbnail hentry portfolio-category-news-en\" id=\"portfolio-7391\">\n\t<div class=\"portfolio-holder\">\n\t\t<div class=\"carousel_style3_content\">\n\t\t\t<aside class=\"thb-categories\">News<\/aside>\n\t\t\t<h3>Intermezzo. Revisiting Helmut Newton<\/h3>\n\t\t\t<div class=\"post-excerpt\">\n\t\t\t\tAfter more than 20 years of successfully presenting the permanent exhibition <em>Helmut Newton\u2019s Private Property<\/em> on the ground floor of the Museum for Photography, we have decided to expand the concept and radically overhaul the presentation. The core objective \u2013 to use this space to illuminate the lives of Helmut Newton and his wife, June \u2013 remains. Furthermore, the temporary exhibitions on the first floor will continue to contextualize the work of Helmut Newton and Alice Springs twice a year through alternating solo and group shows.\r\n\r\nAs a transitional step in this transformation, the Newton Foundation presents a cinematic <strong><em>Intermezzo<\/em><\/strong> featuring Helmut Newton in an immersive space. On the ground floor, eight video projectors cast a film across four screens. The production is partly based on a film portrait created three years ago for a major Newton exhibition at the MOP Foundation in A Coru\u00f1a, Spain, produced by Profirst International in collaboration with Martin Salvador Studio. This footage is now supplemented by previously unreleased material from various sources, including personal recordings by June Newton recently reviewed and digitized in the foundation\u2019s archives. For the first time, Berlin audiences can watch interviews with numerous voices from Newton\u2019s world \u2013 including Philippe Garner, Carla Sozzani, Jenny Capitain, Violetta Sanchez, and Matthias Harder \u2013 offering an entirely new way to experience Newton\u2019s oeuvre. Edited into a seamless loop, the film offers visitors a surprising and content-rich experience.\r\n\r\nIn the rear section of the ground-floor gallery, nearly 100 of Newton\u2019s exhibition posters remain on view, though the setting has been refreshed to include several posters from Alice Springs\u2019 solo exhibitions. In the 16-meter (approx. 52-foot) display case beneath the posters, the vintage magazines featuring Newton\u2019s published work have been swapped out for the <em>Intermezzo<\/em> presentation. They now feature different fashion and lifestyle titles and include editorial work by Alice Springs, such as issues of <em>Jardin des Modes, Elle, Vogue, Vanity Fair, Ego\u00efste, Stern, The New Yorker, Photo,<\/em> and <em>Paris Match<\/em>. While the physical display remains the same, the content has shifted. Walking the length of the showcase continues to offer an intense look at the evolution of fashion photography and the changing image of women in the Western world \u2013 from the late 1950s to the turn of the 21st century \u2013 capturing the revolutionary social upheavals of the 1960s and \u201870s and their visual impact on fashion, which, as we know, always mirrors the zeitgeist.\r\n\r\nIn the corridors flanking <em>Intermezzo<\/em>, large wall panels feature illustrated biographies on the life and work of Helmut and June Newton, displayed alongside framed portraits of the foundation\u2019s two founders. Opposite the massive poster wall, a new curatorial series titled <em>Spotlight: Behind the Frame<\/em> makes its debut. This concept, which will be refreshed at irregular intervals, focuses on a single iconic photograph by Helmut Newton or Alice Springs. It illuminates the history of the image\u2019s creation and distribution through contact sheets, original publications, notes, preparatory Polaroids, and related shots. The series launches with <em>Rue Aubriot<\/em>, Newton\u2019s legendary 1975 fashion photograph for French<em> Vogue<\/em> shot on the street of the same name, alongside the first photograph in Alice Springs\u2019 oeuvre: a 1970 advertisement for Gitanes cigarettes featuring a smoking male model, also shot in Paris. This miniature exhibition format will eventually be handed over to guest curators to provide fresh, external perspectives on the work of Helmut Newton and Alice Springs. In doing so, the foundation is literally opening itself and its archives for new encounters.\r\n\r\n&nbsp;\r\n\r\n&nbsp;\t\t\t<\/div>\n\t\t<\/div>\n\t\t<div class=\"portfolio-inner \">\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"960\" height=\"720\" src=\"https:\/\/dinter-pr.de\/wp-content\/uploads\/2026\/02\/Timeline-1_01_04_50_14-copy_cropped-for-website-use-20x15.jpg\" class=\"attachment-werkstatt-rectangle-3x size-werkstatt-rectangle-3x thb-lazyload lazyload wp-post-image\" alt=\"\" sizes=\"auto, (max-width: 960px) 100vw, 960px\" data-src=\"https:\/\/dinter-pr.de\/wp-content\/uploads\/2026\/02\/Timeline-1_01_04_50_14-copy_cropped-for-website-use-960x720.jpg\" data-sizes=\"auto\" data-srcset=\"https:\/\/dinter-pr.de\/wp-content\/uploads\/2026\/02\/Timeline-1_01_04_50_14-copy_cropped-for-website-use-960x720.jpg 960w, https:\/\/dinter-pr.de\/wp-content\/uploads\/2026\/02\/Timeline-1_01_04_50_14-copy_cropped-for-website-use-320x240.jpg 320w, https:\/\/dinter-pr.de\/wp-content\/uploads\/2026\/02\/Timeline-1_01_04_50_14-copy_cropped-for-website-use-640x480.jpg 640w, https:\/\/dinter-pr.de\/wp-content\/uploads\/2026\/02\/Timeline-1_01_04_50_14-copy_cropped-for-website-use-20x15.jpg 20w\" \/>\t\t<\/div>\n\t<\/div>\n<\/a>\n\t\t\t<\/div>\n\t\t\t\t<div class=\"swiper-button-prev swiper-nav arrow-style1\">\n\t\t<span>\n\t\t\t<svg version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" class=\"thb-arrow\" xmlns:xlink=\"http:\/\/www.w3.org\/1999\/xlink\" x=\"0px\" y=\"0px\" width=\"20px\" height=\"14px\" viewBox=\"0 0 22 14\" enable-background=\"new 0 0 22 14\" xml:space=\"preserve\">\n\t\t\t<path d=\"M7.646,0.272c0.381,0.369,0.387,0.974,0.014,1.35L3.268,6.046h17.766C21.566,6.046,22,6.473,22,7\n\t\t\t\tc0,0.526-0.434,0.953-0.967,0.953H3.268l4.393,4.425c0.373,0.376,0.367,0.98-0.014,1.35c-0.381,0.368-0.994,0.362-1.367-0.014\n\t\t\t\tL0.277,7.668C0.26,7.651,0.248,7.632,0.232,7.613C0.209,7.588,0.188,7.561,0.166,7.532L0.16,7.524\n\t\t\t\tC0.143,7.499,0.131,7.472,0.117,7.445S0.088,7.395,0.076,7.368L0.072,7.359C0.061,7.327,0.051,7.295,0.043,7.263\n\t\t\t\tC0.035,7.237,0.025,7.214,0.02,7.188V7.183c-0.025-0.121-0.025-0.244,0-0.364V6.812c0.006-0.025,0.016-0.049,0.023-0.073\n\t\t\t\tc0.008-0.033,0.018-0.066,0.029-0.098l0.004-0.009c0.01-0.026,0.025-0.05,0.039-0.075C0.129,6.53,0.145,6.502,0.16,6.476\n\t\t\t\tl0.006-0.009c0.02-0.027,0.043-0.054,0.066-0.079C0.248,6.37,0.26,6.35,0.277,6.332l6.002-6.046C6.652-0.09,7.266-0.097,7.646,0.272\n\t\t\t\tz\"\/>\n\t\t\t<\/svg>\n\t\t<\/span>\n\t<\/div>\n\t<div class=\"swiper-button-next swiper-nav arrow-style1\">\n\t\t<span>\n\t\t\t<svg version=\"1.1\" class=\"thb-arrow\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" xmlns:xlink=\"http:\/\/www.w3.org\/1999\/xlink\" x=\"0px\" y=\"0px\" width=\"20px\" height=\"14px\" viewBox=\"0 0 22 14\" enable-background=\"new 0 0 22 14\" xml:space=\"preserve\">\n\t\t\t<path d=\"M15.721,0.286l6.002,6.046c0.018,0.018,0.029,0.038,0.045,0.056c0.023,0.025,0.047,0.052,0.066,0.079l0.006,0.009\n\t\t\t\tc0.016,0.026,0.031,0.055,0.045,0.082c0.014,0.025,0.029,0.049,0.039,0.075l0.004,0.009c0.012,0.031,0.021,0.064,0.029,0.098\n\t\t\t\tc0.008,0.024,0.018,0.048,0.023,0.073v0.006c0.025,0.12,0.025,0.243,0,0.364v0.006c-0.006,0.025-0.016,0.049-0.023,0.074\n\t\t\t\tc-0.008,0.032-0.018,0.064-0.029,0.097l-0.004,0.009c-0.012,0.026-0.027,0.051-0.041,0.077s-0.025,0.054-0.043,0.079l-0.006,0.008\n\t\t\t\tc-0.021,0.028-0.043,0.056-0.066,0.081c-0.016,0.019-0.027,0.038-0.045,0.055l-6.002,6.046c-0.373,0.376-0.986,0.382-1.367,0.014\n\t\t\t\tc-0.381-0.369-0.387-0.974-0.014-1.35l4.393-4.425H0.967C0.433,7.953,0,7.526,0,7c0-0.527,0.433-0.954,0.966-0.954h17.766\n\t\t\t\tL14.34,1.622c-0.373-0.376-0.367-0.98,0.014-1.35S15.348-0.09,15.721,0.286z\"\/>\n\t\t\t<\/svg>\n\t\t<\/span>\n\t<\/div>\n\n\t\t\t\t\t\t\t<div class=\"thb-preloader \"><svg class=\"thb-preloader-icon-circle\" width=\"65px\" height=\"65px\" viewBox=\"0 0 66 66\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n   <circle class=\"path\" fill=\"none\" stroke-width=\"4\" stroke-linecap=\"round\" cx=\"33\" cy=\"33\" r=\"30\"><\/circle>\n<\/svg><\/div>\n\t\t\t\t\t<\/div>\n\n\t\t[\/vc_column][\/vc_row][vc_row thb_divider_position=&#8221;bottom&#8221; el_class=&#8221;row-dates&#8221; css=&#8221;.vc_custom_1579611346343{padding-top: 5vh !important;padding-bottom: 5vh !important;background-color: #efefef !important;}&#8221;][vc_column][vc_custom_heading text=&#8221;Save The Dates&#8221; font_container=&#8221;tag:h4|text_align:left|color:%23130af3&#8243; use_theme_fonts=&#8221;yes&#8221;]\t<div id=\"thb-autotype-25\" class=\"thb-autotype std-sizing-2\">\n\t\t<\/p>\n<h6>11 September 2026, 6 pm: <div class=\"thb-autotype-entry\" data-thb-loop=\"\" data-strings=\"[&quot;Opening of the exhibition Life-Death by Katharina Sieverding \\\/\\\/ Galerie Thomas Schulte, Berlin&quot;]\" data-speed=\"50\"><\/div><\/h6>\n<p>\t\t\t<\/div>\n\n\t[vc_empty_space]\t<div id=\"thb-autotype-62\" class=\"thb-autotype \">\n\t\t<\/p>\n<h6><div class=\"thb-autotype-entry\" data-thb-loop=\"\" data-strings=\"[&quot;Nadine Dinter PR \\u2014 20 years devoted to photography&quot;]\" data-speed=\"20\"><\/div><\/h6>\n<p>\t\t\t<\/div>\n\n\t[\/vc_column][\/vc_row][vc_row thb_divider_position=&#8221;bottom&#8221; el_class=&#8221;seo-homepage-intro&#8221;][vc_column][vc_column_text]<strong>Nadine Dinter <span class=\"unterstrich-fetter-txt\">PR<\/span><\/strong> is an owner-managed <a href=\"https:\/\/dinter-pr.de\/en\/services\/\">agency for media relations, PR consulting, and art administration<\/a>. With its special focus on photography, Nadine Dinter <span class=\"unterstrich-black\">PR<\/span> supports cultural institutions in Germany and beyond, including <a href=\"https:\/\/dinter-pr.de\/en\/references\/\">museums, galleries, foundations, festivals, and private collections<\/a>. The Berlin-based agency also works across a variety of sectors in the fields of <a href=\"https:\/\/dinter-pr.de\/en\/clients-curated\/\">contemporary art<\/a>, lifestyle, and art &amp; commerce.[\/vc_column_text][\/vc_column][\/vc_row]\n<\/div>","protected":false},"excerpt":{"rendered":"<p>[vc_row thb_full_width=&#8221;true&#8221; thb_row_padding=&#8221;true&#8221; thb_column_padding=&#8221;true&#8221; thb_divider_position=&#8221;bottom&#8221; el_class=&#8221;news_row&#8221;][vc_column][\/vc_column][\/vc_row][vc_row thb_divider_position=&#8221;bottom&#8221; el_class=&#8221;row-dates&#8221; css=&#8221;.vc_custom_1579611346343{padding-top: 5vh !important;padding-bottom: 5vh !important;background-color: #efefef !important;}&#8221;][vc_column][vc_custom_heading&hellip;<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-698","page","type-page","status-publish","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.7 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>News (E) - Nadine Dinter PR<\/title>\n<meta name=\"description\" content=\"Nadine Dinter PR is an owner-managed agency for media relations, PR consulting, and art administration. 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