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<oembed><version>1.0</version><provider_name>Nadine Dinter PR</provider_name><provider_url>https://dinter-pr.de/en/</provider_url><author_name>Stephane</author_name><author_url>https://dinter-pr.de/en/author/stephane/</author_url><title>Katharina Sieverding: Life-Death - Nadine Dinter PR</title><type>rich</type><width>600</width><height>338</height><html>&lt;blockquote class="wp-embedded-content" data-secret="41uwt25Dlr"&gt;&lt;a href="https://dinter-pr.de/en/portfolio/katharina-sieverding-life-death/"&gt;Katharina Sieverding: Life-Death&lt;/a&gt;&lt;/blockquote&gt;&lt;iframe sandbox="allow-scripts" security="restricted" src="https://dinter-pr.de/en/portfolio/katharina-sieverding-life-death/embed/#?secret=41uwt25Dlr" width="600" height="338" title="&#x201C;Katharina Sieverding: Life-Death&#x201D; &#x2014; Nadine Dinter PR" data-secret="41uwt25Dlr" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"&gt;&lt;/iframe&gt;&lt;script type="text/javascript"&gt;
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</html><thumbnail_url>https://dinter-pr.de/wp-content/uploads/2026/06/1969_Katharina-Sieverding_Life-Death_Still_01_Foto-Klaus-Mettig.jpg</thumbnail_url><thumbnail_width>1130</thumbnail_width><thumbnail_height>787</thumbnail_height><description>For Berlin Art Week 2026, Galerie Thomas Schulte presents the exhibition Life&#x2013;Death by Katharina Sieverding. At the heart of the exhibition is the 1969 film of the same name, complemented by large-format film stills and previously unpublished Polaroids. Created in what was then West Berlin, the work reflects an early period in the artist&#x2019;s practice and a historical moment of concentrated political, social, and aesthetic upheaval. Notably, Life&#x2013;Death was shown at documenta 5 in Kassel in 1972 &#x2013; an early marker of its art-historical significance.  Within Sieverding&#x2019;s filmic output, Life&#x2013;Death holds a singular position. The work was shot on 16mm film during a period that was both personally and artistically formative. At the time, Sieverding was a student of Joseph Beuys at the Staatliche Kunstakademie D&#xFC;sseldorf, witnessing firsthand the institutional conflicts and protest movements of the late 1960s. Filming took place shortly after the events surrounding the academy&#x2019;s temporary closure &#x2013; protests in which she participated both as documentarian and as active participant. Life&#x2013;Death thus represents not only an aesthetic search for new visual forms but also the experience of a society in flux.</description></oembed>
